
Of course, “lacking in methodological coherence” is a standard criticism by which legal opinions are often discredited: so Justice Stevens, in his dissent, calls the Court’s opinion a “strained and unpersuasive reading of the Amendment’s text” (at at 128 S.Ct. 2823). It is in this way, then, that the criticism of interpretive methodology functions as the other side of one’s having a different interpretation of the same text: instead of supplying one’s own interpretation, one can also criticize the way by which another interpretation proceeds. Usually, the two operations work in tandem in legal decisions, and this is considered all the reflection on interpretive method that the act of legal decision-making really needs: it is, at the very least, the most Stevens reflects upon it, since he then proceeds to use a method of analysis similar to Scalia’s in order to produce his own result—an act that has made commentators on the case criticize him just as much as Scalia (see the links above). It is in this way that legal thought about interpretive methodology is reappropriated into the redeployment of that same methodology, and (at the same time) radical critique of interpretive methodology (critique that would force the same to be different or at least account for difference) is excluded from the law as “legal scholarship” or “legal theory.” Thus serious, explicit thought about interpretive method may inform the law (and so may even make it into a legal brief or be cited in an opinion) but it does not bear upon the law’s operation. It is in fact so external that it even be seen as a matter of style, as is the case in Benjamin Cardozo’s famous essay “Law and Literature.” We can read this piece as recognizing methodology as the “form” of an argument that indeed makes it more or less forceful, but that does not accomplish much more than that mere aesthetic or informing function: just like a justice’s method of interpretation, style can tell us a lot about a justice (even about the essential tendencies of his thought), but it remains at bottom separable from the act of interpreting and constructing a decision.*
Given this general status of reflection on method within legal discourse, it is not surprising that many critiques of the Heller decision take up this scholarly role, confining themselves to commentaries upon method that do not take up the method as it is deployed in the decision itself. In other words, even excellent legal scholarship, like Siegel’s, must “look beyond” the methodology within the text itself in order to comment upon it and therefore reduplicate and reinstate the marginal status of radical methodological reflection vis-à-vis the act of constructing of legal opinions and law: as she says, her commentary “looks beyond the text of the Heller opinion itself to the decades of social movement conflict that preceded the decision” in order to “examine more closely the authority Heller exercises in enforcing the right to bear arms” (193). And while this may be warranted by the particular decision in question (Heller is notoriously suffused with modern history as much as it engages itself in the historical or pseudo-historical reconstruction of an 18th century episteme--just listen to the oral argument), literary scholars (and especially literary theorists) are much more willing to look inside the text of an interpretation for its interpretive assumptions, and therefore integrate methodological consideration within decisions about the justness of a reading. So where Siegel talks about “the authority Heller exercises,” a literary scholar would be quicker to say “the interpretive authority Heller exercises,” since authority (as far as the literary scholar is concerned) does not primarily come from outside the text.
Thus literary critics would not have to do as much work as Siegel and others in opposition to actual interpretation in order to establish that an interpretation has something about it which is methodologically suspect: actual interpretation and reflection on interpretive method go hand in hand. At the same time, though, literary scholars would be less willing to allow the knowledge about methodology that is made apparent be reappropriated back into the work of that methodology, taken up merely from a different angle. So just as there are more internal analyses of methodology as “readings” within literary criticism, there are more radical critiques of interpretive methodologies—critiques that do not as quickly lose their force as ad hominem attacks, as is the case with that of Stevens, mentioned above. The resulting view of methodology is one that sees it as less (externally) necessitated (as it appears to be in Siegel’s analysis**), on the one hand, and more able to be changed by a shift in its (internal) assumptions—in short, a view that sees method as more coextensive with decision-making (or evaluation in general) itself.
*“The argument put strongly is not the same as the argument put feebly any more than the ‘tasteless tepid pudding’ is the same as the pudding served to us in triumph with all the glory of the lambent flame. The strength that is born of form and the feebleness that is born of the lack of form are in truth qualities of the substance. They are tokens of the thing’s identity. They make it what it is.” I use the term “aesthetic” in the sense in which Paul de Man will deploy it. There is a sense in which the persuasive force of an argument will precisely undo the aesthetic status Cardozo grants methodological consideration—that is, when persuasion is considered as rhetoric.
**Originalism there is seen as a mode of reading which is negotiating massive political and social demands. It there functions as a “jurisprudential vehicle” for the New Right, and in Heller in particular it functions to expand (not limit, as it ostensibly claims for its goal) certain political aims by interpreting them “as the Constitution” (241-2).