Friday, September 18, 2009

Derrida in philosophy

I have reservations about philosophy reading Derrida and treating him as a philosopher, especially after all the tensions around him have sort of mellowed out. It's too akin, sometimes, to thinking that this treatment would grant him some dignity. Regardless, when philosophers come close to doing this--unless they're brilliant and innovative like David Farrell Krell or John Sallis--they risk being just reductive.

This is because philosophy still has a very, very hard time with reading anything but propositions and arguments. Or, rather, positions. I hold X. He holds Y. Y involves A and B, and I might see eye to eye with him on A, and then maybe be able to see something in Y, but because he holds both A and B together, because he relates A and B so closely, and ultimately can't think A without B (as I might), I hold X. X, then, is perhaps even more open to A than Y... and so on and so on. It would be a mistake even to consider this argument: the latter is a move by other people in the humanities to try and show how philosophical thinking is linguistically based, and ultimately tied to rhetoric. But it isn't as accurate of a characterization of philosophical practice.

I would say this is worse on the Continent than it is in America: here, we have gone pretty far, through emphasis on clarity, not to be clearer (as many people claim) but to write and convey ourselves a bit better. Which makes the effort of reading philosophy closer to something like reading arguments, rather than reading for positions. The American appropriation of the Continental tradition has actually improved this even more. This is why I don't mind many of the new books coming out in America on Derrida: they tend to be actually pretty good.

But still, we're all a long way from reading in a way that would make me comfortably hand over Derrida, once and for all, to philosophy. And this probably is a good thing for philosophy--I think so at least. For I'm not saying a certain type of reading is better for the job generally than another type of reading (and it would be a mistake to think that even one type of reading practice characterizes philosophical work generally). Derrida made that case himself, and I'll let him make it to philosophers (if it can be read). Rather, I'm challenging the notion that philosophy can deal with Derrida quite well without thinking about its reading practices, changing them a little in order to comprehend what he wrote--and especially with the idea that now literary theorists have had their fun with him, philosophy can now be left to do the real understanding, since its reading practices are so thorough.

Let me give an example of what I'm talking about. We continually risk taking Derrida's writings in too thematic a way. This is so especially when we begin to talk about particular problems that he has addressed over the years--writing, the institutions, politics, etc., as was popular a couple years ago after his death (as people tried to sum up such a varied career). This notion of the "theme," is already a pretty broad and flexible tool for philosophical reading. But a literary critic, for example, could point out that it is actually quite crude, for numerous reasons (both theoretical and practical) which literary critics and theorists have spent the last fifty years elaborating. No wonder then that certain people with ties to the Continent are growing frustrated with all this "discourse" in philosophy, and wanting to get the hell out of the whole business of critique and interpretation! Critique and interpretation makes us too polemical, they say. Too self-reflexive. Ultimately, too idealist (the worst thing a philosopher has in his vocabulary). Back to positions--they're not polemical at all!

My point is, again, not that philosophy has to become literary criticism in order to read well (see the comments for more on this--I'm not Ricoeur, who wants philosophy to systematically cultivate the equivocal). My point is that in encountering Derrida, philosophy has to think at least about what would be involved in reading differently philosophically, and then be willing to see that Derrida might require a enacting such a practice. What is differance? It is finite infinite difference. But just stating Derrida's position there doesn't tell you why, for example, he would bring up fetishism in a book involving Hegel's Philosophy of Right and Genet. You can see how an approach to Derrida that only brought this insight about differance to bear on Glas would probably not make things clearer.

This is why I usually hold the position that it isn't a bad thing if philosophy leaves Derrida behind, or uses it for very local issues--indeed moves in arguments--though it would be sad if (especially in the Continental work) it turned away from the larger task of interrogating its reading practices. It might be good if literary theory does so too. Critical theory, though, might be a great place for some reading and rereading, as the seminars start to come out.

5 comments:

Evan said...

Hi Mike,

This is not going to be a real comment; just wanted to say that I liked this, and also that I've been reading Graham Harman's blog and thought this post (which you may have seen already) connected to what you say about Derrida:

http://doctorzamalek2.wordpress.com/2009/07/01/a-few-more-thoughts-on-arguments-and-the-like/

More soon... I'm starting to feel my brain coming back to life.

Michael said...

Harman indeed has a great bit at the end of Prince of Networks on all this. I don't think he's entirely right. People too quickly dismiss clarity because Searle said that stupid thing in an interview once--that you have no thought without clarity, or whatever. But Searle is, in general, very outlandish and extreme--something that gets covered up by his general folksy attitude. That's just to say that one can't totally identify the sort of ascesis that goes with trying to be clear with clarity itself, which is what Searle does, and then characterize all American philosophy that way (as Harman does). What Harman says about rhetoric is, I think, involved in this ascesis. But he tinges it with emotion, as if rhetoric wasn't already involved with passion, calling it the greatest cognitive resource we have: this strikes me less as a position distinct from the act of trying to be clear (or rather trying to write well--the result of the activity that I outline in the post) than something at the heart of clarifying. In other words, it strikes me as a position that someone who is less involved in writing eventually comes to find is true about writing, such that he affirms what he should have known all along. But this is all moot when we come to Harman's writing itself, which is some of the clearest, because I think the most frank and open, writing that I've seen in philosophy--and especially in the Continental tradition. This also makes him outline positions in a much clearer, and more flexible way (the whole summary of Latour at the end of Prince of Networks is remarkable for its willingness to consider micropositions, if I can call them that: positions on small issues which do not have to involve a total acceptance or total rejection of the philosopher).

Michael said...

And one more remark about the latter issue--total acceptance or total rejection: with the inception of serious history of philosophy work, there commenced a more subtle sort of reading. But because the work you do in philosophy is to understand the systems involved and their relationships, this often involves a standpoint where rejections are more total than they need to be. It is the near complete absence of neutrality in philosophy that surprises me always. Some neutrality is indeed cultivated through time (as Harman indeed says--developing ideas across a long long period--or through disciplinary reqirements), or innovation, creating new ideas: and certainly the speculative realist movement and OOP in particular have been really good at innovation. This is what people are usually getting at when they talk about getting rid of the focus on reading in philosophy, or moving away from critique--more innovation, more working out new and interesting ideas that have weird implications one doesn't yet foresee and therefore must treat neutrally--and there's something to that. But look how extreme we've already had to be in order to bring about such a subtlety! Largely it is a disciplinary problem, I think... philosophy departments have weird demands...

Michael said...

But I equally want to stress that this sort of more "total" comment of the philosopher isn't a bad thing at all: it allows them to master the ideas in a way that you and I can only aspire to--and often criticisms come from literature and other humanities that dumb down precisely this process, or seek to discredit it, precisely by saying it doesn't involve any sophisticated reading. I think that's the wrong attitude: philosopher's aren't meant to read. They're meant to argue and have positions. What's bad is when they argue wrong, or have too forceful positions. And one way to improve that is reading. But the transformation is only indirect. And I'd rather actually explore new ways to bring about such a transformation, rather than insist reading is the only way--in this respect moving past Derrida is not just necessary, it is welcome. In the end, pushing them too hard on reading only makes them angry, and rightfully so, and makes them feel like all they have to deal with is discourse--which they then feel the need to break away from.

Michael said...

One more thing regarding, "In other words, it strikes me as a position that someone who is less involved in writing eventually comes to find is true about writing, such that he affirms what he should have known all along," which I said above, that I've been thinking about for a while... this isn't to say this is a fault in itself--it's nothing but the very structure of experience... I'm just saying here that you (Evan) and I, because we're so invested in the relation of emotion to writing, or rather practiced in negotiating this motion (I think any good critic is), we're a bit more familiar. That said, any good writer is in general, and Harman is definitely that. I just perhaps wouldn't emphasize the emotional aspect *except* for philosophers. And since Harman is indeed writing about philosophers, he's okay in doing this. But I think it bears underscoring.